Showing posts with label creation. Show all posts
Showing posts with label creation. Show all posts

Thursday, January 10

Biff, bang, pow!


The Creation 'The Singles Collection' (1998)
"They could've been contenders...they should've been contenders! That's the first thought that passes through one's head as one hears the early singles by the Creation -- and, indeed, how they weren't contenders is astonishing. They had it all, the in-house songwriting, the production, the voices, and the sound that should've put them right up there with the Who and ahead of the Move and Jimmy Page, among others. Their lead guitarist, Eddie Phillips, was even asked by Pete Townshend to join the Who as their second guitarist. But thanks to an unaccountable weakness in their British sales -- as opposed to their German chart action, which was downright robust -- and some instability in their line-up, they were never to enjoy any of the recognition they deserved, and a right turn from psychedelia into soul at the wrong moment took whatever wind they had out of their sails (and sales).
Their final few months' history, filled out by the work of a revived band that never quite got it together in the studio, and singles derived from early outtakes, did nothing but confuse fans and admirers, who couldn't be sure "which" Creation they were dealing with on record. The group gained a reputation as one of the great lost missing links of 1960's rock, sort of England's answer to Moby Grape in terms of massive talent unaccountably caught in a dead-end." - Bruce Eder & Richie Unterberg, All Music Guide

Tuesday, September 25

Can I join your band?


The Creation 'How Does It Feel To Feel' (1982, 1998)
"The Creation were charged mid-'60s mod rockers whose catchy, well-constructed songs echoed the most aggressive work of the Beatles, Small Faces, the Kinks, and the Who. The group recorded a handful of blistering songs that rate among rock's most visceral, melodic, three-minute nirvanas. These ahead-of-the-curve numbers were dramatically enhanced by Eddie Philips's delicately controlled feedback-drenched guitar work (heightened by the use of a violin bow sawed across the guitar strings with incredible malice)." - Mike McGonigal